Sunday, December 4, 2016

Guardians of the Galaxy/All-New X-Men: The Trial of Jean Grey

Title: Guardians of the Galaxy/All-New X-Men: The Trial of Jean Grey

ISBN: 9780785166092
Price: $19.99
Publisher/Year: Marvel, 2015
Artist: Stuart Immonen, Sara Pichelli,  David Marquez
Writer: Brian Michael Bendis
Collects: Guardians of the Galaxy #11–13, All-New X-Men #22–24

Rating: 4.5/5

The story begins in the pages of All-New X-Men #22. There, X-23 and Kitty Pryde are helping younger versions of the original X-Men (Cyclops, Jean Grey, Beast, Iceman, and Angel)—who had previously been brought through time to the present day to show the current Cyclops and his X-Men the error of their villainous ways—to cope with their time displacement. Both young Cyclops and Jean had previously been shown their futures, including Jean's deaths as the host of the world-destroying Phoenix Force and Cyclops' spiral into depression and rage over her death.

This obviously throws a monkey wrench into the teenage lovers' relationship, but before they can cope with it, a covert Shi'ar strike force attacks the X-Men and whisks Jean away. The Guardians show up soon after the kidnapping, in response to the alien force messing with Earth affairs.

Guardians of the Galaxy #11.NOW constitutes part two of "The Trial of Jean Grey," as the story jumps from one title to the next in true Marvel crossover fashion. Picking up after the events of the second trade, the issue reiterates the Guardians' rocky relationship with the Spartax Empire before diving into another meeting of the council of galactic empires (no relation to the Galactic Council). Gladiator, leader of the Shi'ar Empire announces his intentions to capture young Jean and bring her to trial for her future crimes against the universe as the Phoenix. The different rulers' mixed feelings sets a moralistic tone for the rest of the story arc, asking the question: "Is it right to punish someone for something they haven't done yet?"

The issue also marks the departure of Tony Stark (aka Iron Man) from the story line, as he sends the Guardians a message from Earth thanking them for allowing him to be a part of the team. Thus, Brian Michael Bendis ties up what could have been a confusing loose end.

The Guardians are alarmed and move to action when an alien ship enters Earth's atmosphere, and from there their story ties into the X-Men's. They team up to track down Jean and her kidnappers, during which they meet up with the Starjammers—a group of space pirates led by Cyclops' long lost father. You can imagine the interaction between young Cylcops and his father, who had already reconnected with his son years before.

While the three teams are on their quest, Jean is made ready for her tribunal, but the tribunal is interrupted by King J'son of Spartax when he tries to reason with Gladiator about the trial's absurdity. The X-Men, Guardians, and Starjammers eventually make it to the Shi'ar throne world where Jean is being held, and a huge battle erupts between the heroes and the Shi'ar Royal Guards. Young Jean discovers and uses a new power—one never exhibited by the deceased Jean—to bring the battle to a stalemate. She ends up leaving with her friends after Cyclops threatens to bring the Earth's entire population of superpowered beings down on Gladiator and the Shi'ar if they ever come to Earth again. The teams part ways at the end of the story arc, with Cyclops joining his father and the Starjammers, and Kitty hooking up with Peter Quill for a long-distance relationship.

The biggest hurdle this story presented for me was making me care about an X-Men story. I'm not a huge X-Men fan; I've never read a single X-Men title, and I've never cared about any of the characters. I know the gist of the Dark Phoenix Saga, however—you kind of pick up on these things as a comic book geek—and I've watched every X-Men film Fox has produced, so I'm not completely unaware of these characters. Once again, though, Bendis successfully pulled me into a property I had very little interest in, albeit temporarily and for this story arc only.

I'll admit that I enjoyed this largely X-Men-centric story despite my reservations. Bendis continues to shine when it comes to characterization, even with a cast of twenty or more characters. (This story had a lot of unique characters.) Every major participant—including all of the X-Men, most of the Guardians (except Drax, really), one or two of the Starjammers, and one or two of the Shi'ar Royal Guards—had their moments in the spotlight.

As strong as Jean and Cyclops' in-your-face young romance was, it was Angela and Gamora's developing, quasi-romantic warrior's relationship that really took the cake for me. (Sorry, Peter and Kitty.) Drax suffered the most in this crossover, in my opinion, as his development took a back seat to that of the characters at the center of the story. He may have had one moment with X-23, but it wasn't enough for me to regard him as an integral member of the Guardians.

Stuart Immomen and company supply the art for All-New X-Men, which seamlessly complements Sarah Pichelli and company's Guardians of the Galaxy art. This gives the entire story a coherent, overarching visual style that doesn't impede the constant back-and-forth of switching from one title to the other. With the addition of Bendis' writing both titles and grandmastering the whole crossover, "The Trial of Jean Grey" makes for a fluent, stunning, and enjoyable read.

Sunday, November 27, 2016

Original Sin

Title: Original Sin

ISBN: 9780785190691
Price: $75.00
Publisher/Year: Marvel, 2014
Artist: Javier Pulido, Jim Cheung, Paco Medina, Mike Deodato, Ryan Kelly, Ramon Villalobos, Mike Perkins, Rick Geary, Raffaele Ienco, Ty Templeton, Ryan Brown, Mark Bagley, Joe Rubenstein, Alex, Maleev, Erica Henderson, Butch Guice, Scott Hanna, Chip Zdarsky
Writer: Ed Brubaker, Mark Waid, Jason Aaron, Ales Kot, Ryan North, Nathan Edmondson, Stuart Moore, Frank Tieri, Ty Templton, Charles Soule, Dan Slott, James Robinson, David Abadta, Pablo Dura, Al Ewing, Chip Zdarsky
Collects: Original Sin #0-8, Original Sins #1-5, Original Sin: Secret Avengers Infinite Comic #1-2, Point One #1

Rating: 1/5

For millennia the Earth has been observed by Uatu the Watcher, an immensely powerful cosmic entity, it is his duty to record what passes on our planet, never to intervene. But what happens when the innermost secrets of mankind are revealed?

Original Sin was Marvel’s big event of the earlier part of 2014 which has now been collected by the fine folks of Panini along with the supporting Original Sins mini-series. As an event about the nature of secrets and their impact upon the unsuspecting denizens of the Marvel Universe it’s rather difficult to review without letting any secrets out along the way.

The heart of the story is a whodunnit coupled with a series of character revelations driven by the plot which spanned out beyond the core event titles into the wider MU. This really weakens the collected event as none of the wider reveals happen within the book and they’re hardly referenced in the story. This gives the impression of Original Sin being the most unnecessary type of comics event, needlessly retconning swathes of Marvel Universe history to little actual effect other than to create room for aspects of the cinematic universe to be adopted.

A quick look at wikipedia shows that as well as the nine issues of Original Sin there were a couple of interstitial series Original Sins 3.1-3.4 and 5.1-5.5. I’m all for taking unnecessary elements out of event books to keep the number of issues manageable but only where it doesn’t detract from the story, in this instance it’s the latter. There’s no heft to the story because there’s no emotional impact on the page.

I find it hard to argue with that point of view as I was completely underwhelmed by what I read. The idea of parallel histories being revealed via retcon is fairly well established in comics, although I can’t recall it being used in such a high-profile title it was a central part of Marvel stories as recently as Secret Warriors. Whereas in that title the reveal was stunning, so much so that it was healthily robbed for the Captain America: Winter Soldier plot, after reading what a key Marvel character has allegedly been perpetrating for decades I was just left thinking “what?!”.

What was worse is that as revelations go it wasn’t hugely revelatory. Veering dangerously close to spoiler territory I will just say that if Marvel want to scrap the original versions of their characters in favor of the movie versions I wish they would just do it and not keep fiddling around. The inclusion of characters from Grant Morrison’s Marvel Boy series felt like Jason Aaron trying to tap into the reflected glory of their creator.

Events are often judged on the basis of whether they stand the test of time. I would be amazed if the retcons made by this series aren’t ignored or undone over the next couple of years..

Sunday, November 20, 2016

Justice League Vol. 7: Darkseid War Part 1

Title: Justice League Vol. 7: Darkseid War Part 1

ISBN: 9780101264529
Price: $16.99
Publisher/Year: DC, 2016
Artist: Jason Fabok, Kevin Maguire, Phil Jimenez, Dan Jurgens, Jerry Ordway, Scott Kolins, Jim Lee, Scott Williams
Writer: Geoff Johns
Collects: Justice League #40-44, DC Sneak Peek: Justice League #1

Rating: 4/5

The Gods and the Amazons are some of the more interesting aspects of DC lore, and it is from that well that Darkseid War gets its origins from. For such a far-flung and epic storyline, the beginnings are pleasantly intimate, really coming down to a tale of a mother and a daughter rebelling against their father. The father just happens to be Darkseid, one of the most powerful entities on the planet.
Be the difference between hungry and well-fed.

In fact, many of the relationships on display throughout are parental, as Geoff Johns guides us through life as a son or daughter through numerous characters eyes. Wonder Woman, Grail, Kalibak, and Mr. Miracle all anchor the story, showing what someone can be because of and in spite of their childhood circumstances. Johns also manages to streamline the convoluted history of the New Gods and Apokolopis into something digestible for old and new readers alike, which has become his calling card.

For as much empathy as the writer elicits for Mr. Miracle, a character I never really cared about, he elicits the same amount of animosity for Metron, the knowitall with the big chair. We'll just call him blue chair from here on out. Blue chair is a giant tool and is ready to manipulate someone at a moments notice. He says it's for the betterment of the universe or some such, but I don't believe him. He makes The Watcher seem like someone you'd like to go have a beer with.

Okay, back to the story, though blue chair does have an important role to play. Grail, who is revealed to be the daughter of Darkseid and the amazonian assassin Myrina, is helping her mother to take down their father, with the help of another DC big gun, the Anti-Monitor. Again, Johns is actually able to boil this character down from his immense convoluted past into something that makes some sense, and his motivations are simple. He's tired of doing his job, and he wants out.

The battle itself is very much secondary, at least in part one, though I did have an issue with Batman being taken out so quickly (before his role as blue chair). It's like 3 hits and then he's done. The goal of the book seemed less about that conflict and more about getting the league into their new "godlike" roles, so that may bother some looking for a slugfest. The whole Luthor and Superman subplot felt more like a plot device to get Superman into his new form rather than an integral part of the story, but maybe that will all come to fruition in part 2.

The book is helped by a fantastic art team, including Jason Fabok, Kevin Maguire, Phil Jimenez, Dan Jurgens, Jerry Ordway, Scott Kolins, Jim Lee, and Scott Williams, and it certainly doesn't disappoint. The character design for Grail and the Anti-Monitor also deserve some praise. I was never a fan of the big blue helmet and orange armor, making him look more like a Mega Man villain than a universe-threatening powerhouse, and this look is a step in the right direction. It could use a bit more color to help it pop more, but I like the way it's heading. Grail looks like her upbringing, with Amazonian and Apokolips traits displayed in her costume. The art team really knocked it out of the park.

For those looking for a jumping on point, this is actually not a bad place to start. Things will confuse you, especially if you haven't read a DC comic in awhile, such as Jessica Cruz's role in this, or some of the dynamics between Superman and Luthor, but overall there is a great deal to like in volume 1, and I'm looking forward to reading volume 2.

Sunday, November 13, 2016

Conan Red Sonja

Title: Conan Red Sonja

ISBN: 9781616556518
Price: $19.99
Publisher/Year: Dark Horse/Dynamite, 2015
Artist: Dan Panosian, Randy Green, Rick Ketcham
Writer: Gail Simone, Jim Zub
Collects: Conan Red Sonja #1-4

Rating: 1/5

I think Conan Red Sonja would make an fine book for a preteen who has not read many comics, or maybe someone a little older who needs a bit of distraction while waiting at an airport, or any someone who needed to get an idea who and what Conan and Red Sonja were but didn’t really want to know any the specifics (for some reason). Conan Red Sonja would make a suitable book for one of these persons.

There are some things Conan Red Sonja has going for it. It isn’t completely disjointed, despite having large time jumps between issues. It contains some good artwork. Some good colouring. It is printed on great paper. It is bound very well.

I also think I like what writers Gail Simone and Jim Zub were aiming at. And to be fair they don’t completely miss the mark. This book has a some nice set pieces. Individual panels here and there can be quite pretty. The splash pages are well composed. The whole package is there. Unfortunately its just lacking in all the little polished details that would have made Conan Red Sonja something really good.

In essence what’s wrong with Conan Red Sonja is that it is just not smart enough.

Now I bet most people who haven’t read a lot of Conan comics wouldn’t expect you’d go to Conan or Red Sonja comics for smartness, but I do.

It used to be that Conan’s stories were based on short stories by Robert E. Howard (and a few other authors). That tended to smarten things up quite a bit. And Conan comics, unlike the superhero comics, had real deaths, people would die and – get this – not just come back a few issues down the road. That was smart too. Trust me, I know whereof I speak on this whole issue. I’ve been reading comics since the mid 1980s. I grew up collecting and reading Savage Sword, Conan The Barbarian, King Kull, Red Sonja and pretty much every other Robert E. Howard character they’d do a comic about. So I know Conan and Red Sonja pretty damn well – and it can be very smart stuff.

This comic isn’t very smart.

I’ll point to five very specific problems:

There are no cannons in the Hyborian age. Maybe this wasn’t actually in the script, maybe this is just a slip-up by an enthusiastic artist who, thinking “this is a pirate ship” and “pirate ships have cannons” drew some cannons. They don’t have cannons, not in the Hyborian Age.

The pirate ship on the right. Do you see what’s missing? You can’t make racism go away by avoiding situations that might look controversial. Bêlit’s crew is supposed to black, made up exclusively of “ebony-skinned warriors.” Bêlit’s crew, in Conan Red Sonja don’t look ebony to me. Yes, Howard was racist, but Bêlit isn’t racist. She is selfish. Wanton. Cruel. But not racist. Having Bêlit not have a black crew is a stupid way to avoid looking like being racist. It’s like having the Kents of Smallville be Chinese for the purposes of racial diversity, but keeping Clark Kent white – he’s a fucking alien! – So, suffice it to say, I don’t get the point of the change here – it just makes me think yeahhh, they’re afraid to deal with the fact that the creator of this character was racist, so lets pretend everyone is white in the Hyborian Age. Howard specifically sets up this image in Queen Of The Black Coast. Bêlit is an “ivory” skinned warrior woman leading a crew of “ebony” skinned pirates. Deal with it.

No, Thoth Amon is not responsible for the poisoning of the Zarkheba River, nor, as we are probably supposed to infer, the subsequent death of Bêlit. Bêlit is responsible for her own death. Despite what writers Gail Simone and Jim Zub have Thoth Amon saying above, there’s no reason at all to have him say it – other than it is something for him to say.

First of all, Thoth Amon isn’t the be-all and end-all of evil in the Hyborian Age – he isn’t the evil behind every evil. He isn’t anything close to being the Professor Moriarty of Hyborian Age (and neither was Moriarty, actually). That’s just lazy, lazy writing.

Thoth Amon shows up in exactly one Robert E. Howard story, The Phoenix On The Sword, and the two characters never actually meet. Or as the Wikipedia page for Thoth Amon puts it “[Thoth Amon] is often used as Conan’s arch enemy in derivative works.” Well, here’s another derivative work to add to the list, Conan Red Sonja.

Moreover, Thoth Amon’s explanation for why he supposedly poisoned the Zarkheba River doesn’t hold water. There were no ruins of a coastal town at the mouth of the river! There was a ruined city upriver, that’s the setting for the climax of Queen Of The Black Coast, but that city was ancient, and had very different reasons for going bad. Again, shitty lazy writing.

Maybe there are excuses for this sort of thing, maybe the folks at Conan Properties International and Red Sonja, LLC, are so worried about protecting the characters they invented claim to own that they are micromanaging the writing team – telling them what can and cannot be written. I don’t know.

When not occasionally looking drugged, sometimes, just from panel to panel, Conan will look like a different dude. He will rapidly grow and then lose abdominal hair. Weird right? Too weird. I could buy a version of Conan with abdominal hair, or a version with chest hair, or a version with hair everywhere, or a Conan with a completely hairless torso (the traditional look). What I can’t buy is the growing and mowing I’m being asked to do between panels. Pick a fucking hair pattern.

While The overall plot McGuffin isn’t bad – I like the idea of a red seed (from space) – one that sprouts a red-thorned vine that infects and chokes all the life out of everything in a land – it’s not a new idea of course, its from H.G. Well’s The War Of The Worlds – I like it! Yet I don’t think this book uses it very well. For example, we’re told it kills absolutely everything it gets close to, and so when Conan, after getting infected somehow (the book doesn’t show us how) – after getting infected Conan has the red thorny vines growing out of the muscle on his left forearm. His cure for this infection is fire (which is cool) but when the red thorny vine grows back Conan just pulls it out by the root – and that cures it?!? WTF!? What about all the other people and animals and plants that were killed by this invasive red alien plant? You’re expecting me to accept that this burn it then pull it technique will work for Conan but didn’t work for anyone else?

And that again is the problem with Conan Red Sonja, this book doesn’t expect anything of me. It certainly doesn’t respect the rules and patterns of the Hyborian Age and so it can’t and doesn’t respect itself.

I’ve seen this happen with a lot with corporate controlled franchises. They turn a character with whom an author told stories into fan service machines – telling us more about the character and forgetting what made the original writing so compelling.

Don’t give us more backstory, don’t give us prequels, do something awesome.

Sunday, October 30, 2016


As my loyal readers will have noticed, I haven't been making my normal weekly posts over the past few months. Everything's alright, but there have been some circumstances that have come together to make this happen and I would like to explain:
  • I have been very busy with my work life, and I haven't had as much time as I need to both read and write. In order to be able to publish new reviews, I have to have the chance to read the trades and this has helped to cause the problem.
  • I have been very busy with keeping-up with my non-profit, Comic Book Covers 4 Cancer, as well. I haven't had the energy or motivation to read or write, so I have put what I had into working on #CBC4C.
Since I'm coming-up on celebrating our 7th anniversary here, I have decided to take a brief hiatus until I have enough material read to be able to post my regular reviews again. I am going to try and post additional, "industry" related posts from time-to-time to help fill the void and to make sure you don't forget about me here.

On the good news side, I do have a nice stack of trades to read and post reviews on. I'm always looking for more and welcome to suggestions. If there are any authors, artists, editors, publishers or comic shops that would be willing to provide material for review, please feel free to email me. I love being able to read trades that are outside my "normal" interests and will give my unbiased opinion on what I have read.

I promise I will be making a return soon. Thank you for your support!


Saturday, September 17, 2016

Rose City Comic Con 2016 - My Experiences
September 10-11, 2016

For the 5th year, we have been blessed with a one of the best (IMHO) comic events in the PNW. I am proud to say that I have been in attendance to every single one of them. I still have my paper bracelet from the first year when it started in a crowded hall in the Double Tree.

As I've noted before, this event just gets bigger every year. This year will be Stan Lee's final appearance to Portland. I noticed that they gave him a ton of space on the floor.

Last year, I was honored to be a member of the press to help provide coverage for the event. This year, the wonderful folks at RCCC graced me with another set of press passes for my crew and I to attend. Thank you specifically to Ron and Paula Brister for allowing me the opportunity to come and provide a non-biased point-of-view to your growing event.

I had our photographer lined-up to help take photos... because my faithful readers all know that I rarely take good pics myself. Unfortunately she had to cancel due to an issue at home. You're stuck with the photos I took, I'm afraid. Don't worry. I think you'll be surprised at what shots I did get this year and how well they turned out.

Last year, we learned that arriving even an hour after the con opened was a costly mistake. This year, we got there around 9am and we weren't the only ones waiting. Fortunately since we were apart of the media, they allowed us early access at 9:30am.

When I talk about "us" or "we", I did have a friend with me who helped with the experience. He goes in for getting signatures and photos from the celebs. His primary focus was getting a signature from Jon Barenthal and photos with Summer Glau (JEALOUS) and Ming-Na Win. Our first stop was to make sure he was in-line for the 10:15am Jon Barenthal signing... which was not a problem since we were the first ones there.

At this time, I should mention that last year my friend purchased a very special copy of The Walking Dead #115 from Comic Book Covers 4 Cancer. This specific cover had been donated by our wonderful supporter and artist, Paul Rowden. Paul donates to #CBC4C in the memory of his adoptive father Francis Joseph Bernauer, who died of colon cancer. He was able to get the autographs from a variety of cast members from the show. Scott Wilson, Chad L. Coleman, Lawrence Gilliard Jr., Kyla Kenedy, Jose Pablo Cantillo and Michael Rooker.


His goal is to get as many cast signatures as he can on it. This year, he added Jon Barenthal.

After leaving him to get his autograph, I went on the hunt for my personal autographs and to meet with several friends who were at the show. While leaving the celeb area, my first stop was to make sure that I knew where Jimmy Palmiotti and Amanda Conner were going to be. As I approached, walking towards me was none other than Jimmy himself. We said hello to one another, I shook his hand as he kindly greeted me and I asked when they would be ready for fans. He let me know that Amanda was planning on arriving around 10am, so I thanked him and we parted ways. Very nice guy, I must say.

As I did a walk-through of the show floor to get my bearings on where each artist and vendor I had planned on visiting was, I stopped in on my friend Benjamin Kreger of Warrior Innkeeper Creative. We spoke for a minute as he was on his way to meet with another friend who was having an early morning panel discussion. He then gifted me with a copy of the Black Suit of Death #1: Convention Special.

I have been a fan of Ben's work for quite a while, and Black Suit of Death is my favorite work of his. When his had his first Kickstarter last year to get this book published, it was the first time I had ever supported any KS campaign. I was very bummed when it wasn't successful, but I think that worked for the best because he doubled his efforts on the 2nd campaign... and it paid-off. Fortunately, I was able to pledge more the second time around than the first. If you're not familiar with this book, I encourage you to take a look for yourself.

After I had made my first walk-around the show floor, I came back to get in line for Jimmy Palmiotti and Amanda Conner. I had brought a Harley Quinn cover that was donated to #CBC4C by artist Tom Campbell to have both Jimmy and Amanda sign. They both loved the cover and I hope this will help raise some good $$ for the American Cancer Society. Of course, I also got some of my own comics signed as well as pick-up a great print for my collection.

Before I left my home, I was considering taking all of my unsigned Hellboy trades with me to get signed by Mike Mignola. I know that every time I have met him before, his wife insists that he's trying to get away from signing events, so I never know when my next chance will be. When I realized how much extra weight that would have put on my backpack, I decided against it. I'm glad I did because there was a perpetually unending line of people that were waiting on a chance to meet him.

I did bring my copy of Words for Pictures for Brian Michael Bendis to sign, but unfortunately he too had an unending line of fans.

As with last year, I reached-out to several of the attending artists to see if any of them would be able and willing to donate a cover to my non-profit, Comic Book Covers 4 Cancer. This year we were able to receive donations from Chrissie Zullo, Jeff Parker, Keith Tucker and Ben Hansen. Unfortunately I forgot to stop by Jeff's table to pick-up the cover he's donating to #CBC4C... but he'll be shipping it to us and I'll post the scan of it on our FB page.

I also couldn't walk away Chrissie's table without adding some more of her amazing prints to my collection.

I did manage to make sure I took some photos of some of the great cosplays I saw this year.

The Catwoman in the last photo is actually a friend, Allison. She has some pretty amazing work available at Isles of Day. That guy she's "threatening" happens to my friend I spoke about earlier, Scott.

It wouldn't have been as great of a show if I didn't stop by to see my friend and biggest #CBC4C supporter, Tony Grove from Tony's Kingdom of Comics.

Not actually my photo.
Even though my family has imposed a purchasing freeze on me this time of year because of my birthday in October and, of course, Christmas, I indulged myself to get a new Funko Pop for my collection from Tony.

The biggest highlight, for me, is when I find vendors that have great deals on trades to add to my collection. When I find these deals, I try to take as much advantage as I can out of them. Ever since Tony recommended I stop by their table at the very first Rose City Comic Con, I have always made it a point to hit the I Like Comics area as they typically have a great selection of trades at a considerable discount. When I arrived, there were several others taking in the selection available at 70% off. Unfortunately for me, many of the titles were either ones I already had in my collection or titles I didn't feel like trying to read just yet. Here's what I walked away with:

Just before leaving the event, I did manage to find Gem City Comics that had a huge selection of trades available that they were selling for $5 each or 5 for $20. I limited myself because I knew my limits, but I could have easily bought more than this.

I absolutely love this years event, and I can't wait until next year. I'm hoping that I can actually get some table space to help promote #CBC4C at next years RCCC.

The air was electric, and you could feel that everyone was enjoying themselves. It seemed as though the supply of volunteer henchmen was lacking. There was a time where I was needing help locating a specific artist, and I walked around for several minutes before I finally found a red shirt to help. I hope that next year they will put the call out for volunteers a little sooner or hopefully there will be more of a response to the call.

Something that was brought-up on several of my talks with people around the event was the question of why this wasn't 3-days. I feel that RCCC can easily fill at least a half day on a Friday opening. With the recent announcement that Image is moving to Portland, I also expect that the pull of artists and creators will also increase the demand for Rose City. As I told my friend, with Image coming to Portland, there's a bigger chance of getting Robert Kirkman to come to RCCC. To that he replied, "That would probably be the only non-cast member I would have sign my Walking Dead cover!" (I hope someone imparts this information to Ron, Paula and Image.)

Friday, September 9, 2016

Challenge From Comic Book Covers 4 Cancer

To help raise additional $$ for the American Cancer Society and raise awareness, I have decided to shave my head in support of all cancer patients who have lost their hair in the struggle.

In a similar fashion to the Ice Bucket challenge for ALS, I make a challenge. Those of you who would accept this challenge can do so in 1 of 2 ways:

  1. Shave your head as well. Post before and after photos and share our call for donations. Please use the #cbc4c hashtag when you post. Share across all of social media
  2. Make a donation through our PayPal donation page.
Comic Book Covers 4 Cancer (#CBC4C) has been working to raise money for the ACS since July 2013. I welcome you to check out our Facebook page for more information.

I have 2 head coverings that I will be wearing during October. Once my hair grows back, or if I decide to keep the bald look, I'll be donating them to a local chemo group.

Please spread the word. I look forward to seeing how many others will take the challenge and I welcome all donations.
Thank you!

Facebook: Comic Book Covers 4 Cancer
Twitter: @ZanziberPoV
Instagram: CBC4C